Earlier this month, Traveler Editor in Chief Keith Bellows and Suzanne Roberts, winner of the Next Great Travel Writer contest, traveled through Mongolia together and sent us dispatches from their trip. Over the next few days we'll be publishing the last few recollections from their journey. Today Suzanne describes a night out at the Mongolian disco.
One evening during our trip, we are asked to attend a special dinner to celebrate the beginning of Naadam, the national festival celebrated annually in Ulaanbaatar. The event featured the centuries-old tradition of Mongolian throat singing, dancing, and an amazing little girl who ties her body in knots. Girls in Mongolia start training for contortion at the age of five and are ready to compete in international competitions by the age of 12. This little girl could not have been more than about eight or nine years old, and she did things with her body that I would not have thought possible, including supporting herself on a skinny pole by her teeth.
After dinner, I recruit a fellow traveler, Rucker, a wide-eyed 24-year-old aspiring photographer, to check out a disco in Ulaanbaatar. Although Mongolia was Rucker’s first trip outside of the United States, he is game for anything and happy to be dragged off to a disco. But first we have a beer at an Irish pub, a smoky venue full of locals, expats, and foreigners. A Mongolian singer with a sequined top hat sings “Killing Me Softly” in perfect English. The pub closes early for Naadam, so we head off to Metropolis, a super chic discotheque near the Chinggis Khaan Hotel.
This swanky disco is known for attracting the “children of diplomats.” A round bar occupies the center of the first room. Past the bar, a larger space with leather couches, a glowing neon bar, a dance floor, and a “VIP only” upstairs balcony full of scantily-clad women in stilettos glitters with strobe lights and vibrates with the beat of “trance” music. The space-aged theme reminds me of the queue area of Disneyland’s Space Mountain roller coaster. After being told to move from a couch that was reserved for “one man,” we find another couch, and strike up a conversation with a Mongolian man called Ivan.
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